My sweet Blue Laced Red Wyandotte got broody about a month ago. It's her first expression of a maternal desire and I wanted to encourage her, so I got some fertile eggs from a friend in San Luis Obispo. He gave me three Cuckoo Marans and four Welsummer eggs.
He told me he's had 100 percent hatch rates, but I've never had that kind of results. Until now! She hatched seven beautiful chicks on Thursday.
She wouldn't let me see them the first day, but I could hear peeping. When I woke up that morning, the chicken coop was silent. The four other girls are never really quiet, always clucking to the morning or commenting on something. But that day, they had nothing to say. I expected to find chicks.
I saw Mom's feathers moving, so I knew a chick was in there. I didn't want to disturb things until I was satisfied all the eggs had hatched, so I restrained myself. Well, maybe I poked around a little. Later, I saw a black one and then a striped one. The black ones with light undersides are Marans, the chipmunk striped ones are Welsummers.
The following morning she was clucking happily to them. I wanted to see what she had, but she remained settled on the nest. I was worrying about things like the broken eggshells. What if one of the babies got cut on one? As if chicks haven't been hatching for centuries without cutting themselves up. Should I go get the chicks and dip their beaks in water, the way you do when you hatch them in an incubator?
Naw, no need. Mama took care of it all. By that afternoon, she and all her brood were out of the nest, settled in the corner on wood chips. The babies danced around her, played in the water, tried to eat her food in the food dish and had eaten most of the dish of chick starter. I've never seen chicks get up and going so fast.
I put some kernels of corn in Mama's dish tonight, and the babies stole it! Two of them had a tug of war with one kernel. Mama did a good job of mashing the kernels for them, but no need, they pecked it and ran around with their prize.
I haven't had Marans before and am excited at these new additions. Now, so long as they are pullets...
Saturday, June 7, 2014
Thursday, June 5, 2014
Nancy Luce and her chickens
Rebecca Nikols wrote this reminiscence on her blog. Check it out to enter the contest at the end. I wonder what breeds of chickens she was raising.
When I first contemplated the idea of backyard chickens I originally intended that this venture was my little attempt at a more sustainable lifestyle... My goal was: "grow your own" and not rely on purchasing aged, processed or chemically altered food. Well, I accomplished that goal in a sense. I haven't purchased store-bought eggs in years and I do enjoy the fact that I know where my breakfast comes from (at least the eggs). It's true that the freshest and most organic food is what you raise and grow yourself.
But... what I hadn't expected was a flock of chickens opening up a whole new world of enjoyment, entertainment and adventures! These endearing "farm animals" each have their own unique personality and odd quirks that together make "flock watching" a part of my daily routine! One of the many things I appreciate about this Community is that we can share with other chicken enthusiasts the stories and photos of our flock. Whether the tales are odd, funny or sad, this group understands how easily a chicken can touch your heart...
Susan Branch wrote a wonderful tribute to a lonely kindhearted woman, Nancy Luce, who when faced with illness, poverty and abuse found joy and comfort within her small flock of hens. Susan graciously allowed me to share this touching story of Nancy's life with our Community...
The other thing Nancy had, but probably wasn't as aware of as I am
now, was an indomitable spirit. I don’t think it gave her much comfort
at the time, probably made things even worse, but it gives me great
comfort to see how she soldiered on, despite the difficulties in her
life. She tried not to care what others thought; she loved her
chickens, and so when they died, she buried them in real caskets, and
spent all her egg money on carved granite headstones for them; she made a
little graveyard for them next to her house. This of course made her
the object of fun, people would come by to laugh at her, as if she was
crazy or something, but she most definitely was not crazy.
Because of her ailments, sounds were disturbing to Nancy, loud noise hurt her, inspiring her “enemies,” as she called them, to serenade her by beating pots and pans at her door. Someone “brought in cow dressing and put it in my entry and shut the door against it.” She tells many stories of neighborly abuse. But despite everything, when she was around forty-six, and with no outside help, she had the courage, and amazing inner reserve, to write, illustrate, and self-publish her own small books; the first was called Poor Little Hearts, a book about her chickens. These books aroused interest from curious tourists who began to beat a path to her door (not everyone was horrible to her, some people were just curious).
Nancy’s books were hand-written, covers were made from bits of old wallpaper, they were filled with vignettes of her life and loves (her hens). They were how she stood up for herself. Just knowing about such courage reminds me of all the amazing, hard-working, giving, brave, and sometimes lonely people there are in the world.
Recently I was at an Island Fair, one of the people exhibiting was a famous local artist by the name of Dan Waters. He had this WONDERFUL PRINT (printed from a carved block of linoleum on a hand-operated printing press), which, as you can imagine, I snapped up immediately and have hanging in my studio. Whenever I think I have troubles, I just have to look at my wall, see Nancy Luce flying with her chickens, and I feel much better. If she can do what she did, surely, I can do anything!

-Susan Branch
All photos, images and artwork used by permission.
Thank you Susan for sharing this wonderful tribute to Nancy Luce. I know that her story will be honored and understood by this community more than most... We know the benefits of a flock of backyard chickens goes beyond the obvious.--They provide much more than a daily fresh egg; they also give us a daily dose of entertainment, companionship and love!
Susan Branch is the self-taught artist and author of the fourteen (so far) best-selling "Heart of the Home" lifestyle BOOKS all published by Little Brown and Company. From her studio overlooking her picket-fence garden in Martha’s Vineyard, Massachusetts, Susan writes and paints about the "home arts" of cooking, gardening, sewing, family, best friends, entertaining and the little things that make life sweet. Her books are "homemade" as in, watercolored and completely hand-written.
Please visit the following links to view more of Susan's artwork and writings...
Susan Branch (website-blog-online store)
Susan Branch (facebook)
Susan Branch (twitter)

Now here's the best part!
Susan has offered to send one of our lucky readers a copy of the print of Nancy Luce flying through the air with her beloved chickens by her side!
Just leave a comment below (and your email
address) and in two weeks a winner will be randomly chosen and Susan
will send the print your way! Good luck!
When I first contemplated the idea of backyard chickens I originally intended that this venture was my little attempt at a more sustainable lifestyle... My goal was: "grow your own" and not rely on purchasing aged, processed or chemically altered food. Well, I accomplished that goal in a sense. I haven't purchased store-bought eggs in years and I do enjoy the fact that I know where my breakfast comes from (at least the eggs). It's true that the freshest and most organic food is what you raise and grow yourself.
But... what I hadn't expected was a flock of chickens opening up a whole new world of enjoyment, entertainment and adventures! These endearing "farm animals" each have their own unique personality and odd quirks that together make "flock watching" a part of my daily routine! One of the many things I appreciate about this Community is that we can share with other chicken enthusiasts the stories and photos of our flock. Whether the tales are odd, funny or sad, this group understands how easily a chicken can touch your heart...
Susan Branch wrote a wonderful tribute to a lonely kindhearted woman, Nancy Luce, who when faced with illness, poverty and abuse found joy and comfort within her small flock of hens. Susan graciously allowed me to share this touching story of Nancy's life with our Community...
Nancy Luce ~ by Susan Branch
I would like to introduce you to someone who lived what seemed to be a
tiny speck of a life here on Martha’s Vineyard from 1814 to 1890. She
did the best she could, against huge odds, which has caught the fancy of
generations and has made her a folk hero. Her name was Nancy Luce.
For years, on my way up-island, I would pass the graveyard where
Nancy Luce is buried, and notice the headstone at the back of the
cemetery that’s surrounded in fake chickens — all colors, little and
big, cement and plastic, in the snow and in the grass, but I never
understood why they were there.
One day, in our used bookstore, I found a biography of Nancy Luce,
written by Walter Magnes Teller in 1984 (and out of print now), called, "Consider Poor I" and that’s where I learned the story of the chickens in the graveyard.
Nancy lived most of her life in a dark, lonely world of poverty and
illness. She didn't start out that way; when she was young, she was a
good horsewoman, rode twenty miles to and from Edgartown, often, and did
all the trading for her family. But she became ill in her early
twenties. At the time, no one knew what she had, so they couldn't help
her. (I have a friend who’s a doctor and he thinks, from looking at her
symptoms, she may have had Lyme disease.) Whatever it was, it was
debilitating and it lasted the rest of her life.


Just about the time she fell ill, her parents passed away; Nancy was
on her own, and prey to avarice of family and neighbors; they tried to
steal her home from her; there are minutes from the town meeting at that
time showing what they tried to do. She fought them and won; but it
left her vulnerable; her enemies didn’t like losing to her; it shamed
them; she became the butt of local jokes (schoolboys came by to scare
her and make fun of her), leaving her even more isolated than she
already was. She lived in her little house, all alone, winter, summer,
spring, and fall, in the middle of nowhere (with no electricity, no
personal physical strength, no family, and no money). What she had, were
chickens, which she needed for the eggs they supplied. And she grew to
love them in an extraordinary way. As anyone would in her circumstances.
They were all she had.
Because of her ailments, sounds were disturbing to Nancy, loud noise hurt her, inspiring her “enemies,” as she called them, to serenade her by beating pots and pans at her door. Someone “brought in cow dressing and put it in my entry and shut the door against it.” She tells many stories of neighborly abuse. But despite everything, when she was around forty-six, and with no outside help, she had the courage, and amazing inner reserve, to write, illustrate, and self-publish her own small books; the first was called Poor Little Hearts, a book about her chickens. These books aroused interest from curious tourists who began to beat a path to her door (not everyone was horrible to her, some people were just curious).
Exploiting her own peculiarities, since it was clear people were
interested; she tried to pay her way (taxes, wood for the fire) by
selling the little books. She also had photographs taken of herself and
her chickens (which is saying something for the 1860′s in nowheresville,
USA). Others made money on her too; hundreds of picture postcards of
her were sold, of which she got not a cent. Because of her own original
self, because she followed her heart and did her best, Nancy ended up
being the most well-known island person of her time, although
there wasn't much comfort in that for her. At the end, at age 75, she
fell in her house, alone. It was days before anyone found her; she died
shortly after, in poverty, and was buried by the town where she is
today– surrounded by chickens left for her by admirers with “good hearts
and tender feelings,” Nancy’s preferred type of visitors.
Nancy was a folk artist and poet. She was fanciful and totally charming when naming her chickens (I took pains to spell them as they are written in the biography, these are not typos!): Teeddla Toonna, Lebootie Ticktuzy, Jafy Metreatie, Otte Opheto, and Aterryryree Opacky — to name just a few. When one of her favorite chickens, Ada Queetie, died, Nancy was in terrible mourning and remembering the good times when she wrote:

Poor little Ada Queetie
Nancy was a folk artist and poet. She was fanciful and totally charming when naming her chickens (I took pains to spell them as they are written in the biography, these are not typos!): Teeddla Toonna, Lebootie Ticktuzy, Jafy Metreatie, Otte Opheto, and Aterryryree Opacky — to name just a few. When one of her favorite chickens, Ada Queetie, died, Nancy was in terrible mourning and remembering the good times when she wrote:

Poor little Ada Queetie
She used to do everything I told her, let it be what it would, And knew every word I said to her.
If she was as far off as across the room, And I made signs to her with my fingers, She knew what it was, and would spring quick and do it.
If she was far off, and I only spake her
name, She would be sure to run to me at a dreadful swift rate, Without
wanting anything to eat.
I used to dream distressing dreams, About
what was coming to pass, And awoke making a dreadful noise, And poor
little Ada Queetie was making a mournful noise,
She was so worried for me.
She was so worried for me.
Nancy’s books were hand-written, covers were made from bits of old wallpaper, they were filled with vignettes of her life and loves (her hens). They were how she stood up for herself. Just knowing about such courage reminds me of all the amazing, hard-working, giving, brave, and sometimes lonely people there are in the world.
Recently I was at an Island Fair, one of the people exhibiting was a famous local artist by the name of Dan Waters. He had this WONDERFUL PRINT (printed from a carved block of linoleum on a hand-operated printing press), which, as you can imagine, I snapped up immediately and have hanging in my studio. Whenever I think I have troubles, I just have to look at my wall, see Nancy Luce flying with her chickens, and I feel much better. If she can do what she did, surely, I can do anything!

-Susan Branch
All photos, images and artwork used by permission.
Thank you Susan for sharing this wonderful tribute to Nancy Luce. I know that her story will be honored and understood by this community more than most... We know the benefits of a flock of backyard chickens goes beyond the obvious.--They provide much more than a daily fresh egg; they also give us a daily dose of entertainment, companionship and love!
Susan Branch is the self-taught artist and author of the fourteen (so far) best-selling "Heart of the Home" lifestyle BOOKS all published by Little Brown and Company. From her studio overlooking her picket-fence garden in Martha’s Vineyard, Massachusetts, Susan writes and paints about the "home arts" of cooking, gardening, sewing, family, best friends, entertaining and the little things that make life sweet. Her books are "homemade" as in, watercolored and completely hand-written.
Please visit the following links to view more of Susan's artwork and writings...
Susan Branch (website-blog-online store)
Susan Branch (facebook)
Susan Branch (twitter)

Now here's the best part!
Susan has offered to send one of our lucky readers a copy of the print of Nancy Luce flying through the air with her beloved chickens by her side!
Friday, May 30, 2014
National Geographic on poultry heritage
Have you ever stopped to wonder: How did the chicken you eat become the chicken you eat?
Here’s what I mean. Go back 150 years or so, and there were dozens of breeds of chicken grown for meat (and others for egg production). They varied from farm to farm, and region to region, according to the farmer’s preference and the tastes of the local market. But go back about 100 years, to the 1920s, and the poultry industry begins to consolidate. Poultry production turns from a horizontal array of many farms owned independently, to a vertical structure of everything you need to grow and sell a chicken—feed milling, raising, slaughtering, and packing—being owned by single corporations.
It’s not just the business structure that becomes industrialized
through the decades: The raw material, chicken, does too. That wide
variety of genetics, represented by all those breeds raised by different
farmers, gets progressively narrowed down and improved upon. Generation
by generation, birds were redesigned to fit the evolving model of
poultry production: stocky, fast-growing, indolent, and efficient at
converting feed to flesh. Today, most of the chickens we eat belong to
only a few proprietary breeds produced by only a few companies. Compared
to what it was, the gene pool of chicken is shallow.
Here and there, though, stubborn holdouts are attempting to preserve
that almost-lost variety. The 6-minute video below comes from a trip I
took to meet one such holdout: Frank Reese, proprietor of Good Shepherd
Poultry Ranch in tiny Lindsborg, Kansas. Reese raises only birds that
were rejected by the poultry industry decades ago as unfit to contribute
to industrial production. The birds are feisty and amusing, and their
names are poetic: Wyandotte, Minorca, Ancona, Spanish. But Reese doesn’t
labor by himself in the middle of nowhere just so he can look back into
chicken’s past. He breeds and raises and slaughters and sells these
birds, over and over again, because he believes that their unique
characteristics deserve stewardship and protection—and that someday,
large-scale chicken production will want those genetics again.
This is the first installment in a video project about agriculture that I’ve been working on for a year with the support of the Knight Science Journalism program at MIT. I’ll be rolling out segments on this blog as the year goes on.
This story is part of National Geographic‘s special eight-month Future of Food series.
Here’s what I mean. Go back 150 years or so, and there were dozens of breeds of chicken grown for meat (and others for egg production). They varied from farm to farm, and region to region, according to the farmer’s preference and the tastes of the local market. But go back about 100 years, to the 1920s, and the poultry industry begins to consolidate. Poultry production turns from a horizontal array of many farms owned independently, to a vertical structure of everything you need to grow and sell a chicken—feed milling, raising, slaughtering, and packing—being owned by single corporations.

Unique breeds of chickens and turkeys roam around the barn on the Good Shepherd Poultry Ranch in Lindsborg, Kansas.

Frank
Reese raises breeds that don’t always meet the model for mass poultry
production. Today, most of the chickens we eat belong to only a few
proprietary breeds produced by only a few companies.
This is the first installment in a video project about agriculture that I’ve been working on for a year with the support of the Knight Science Journalism program at MIT. I’ll be rolling out segments on this blog as the year goes on.
This story is part of National Geographic‘s special eight-month Future of Food series.
Saturday, May 24, 2014
Spiritual benefits of keeping chickens
A wonderful essay on chicken keepers from Christian Century:
The children chattered away alongside the hens, comfortable with them yet respectful of their space—neither cuddling them as if they were pets nor keeping a wary distance as they would with wild animals. When recess was over I followed the children as they scampered to line up at the school door. I had come to join them for their afternoon class, a review of everything they had learned in their unit on chickens.
Having grown up in the fourth of five generations of a central Illinois farm family, I have a more than passing familiarity with chickens. Some of my earliest memories are of gathering still-warm eggs from the nesting boxes in my grandparents’ chicken coop. But these days I’ve become interested in urban chicken keeping—and in the notion of “keepers” in general.
Keep has echoed in my mind ever since I heard Wendell Berry say that there’s really only one commandment concerning the creation: keep it. The phrase appears early in Genesis, when God put man “in the garden of Eden to till it and keep it.” Investigating further, I found that the English verbs till and keep come from the Hebrew words abad and shamar. These are not arcane or abstruse terms but wonderfully straightforward words describing everyday activities. Abad is the root of words related to work, service, or serving. Shamar means to preserve and protect—to keep.
Suddenly I understood why a soccer goalie is also a keeper, and why the inner region of a castle, the most secure area, is a keep. Echoes of the gentle benediction that ends the church service, “The Lord bless you and keep you,” sent me to my computer, where I again found the word shamar and learned that the benediction comes from the priestly blessing that the descendants of Aaron were to pronounce over the people of Israel. I heard shamar reverberating back thousands of years, back before Christianity, even before Aaron. And I heard it ricocheting right up to the present day, bouncing around the playground at the Academy for Global Citizenship. As I began to fully appreciate the resonance of “to keep,” even the mundane word and work of housekeeping began to take on a reverent glow.
But what about our collective home, our blue marble spinning in space? How do we keep it, preserve and protect it? It seemed that by investigating how urban chicken keepers relate to their chickens, and how keeping chickens situates humans in the larger ecosystem, I might be able to explore that question.
Buttercup, Daisy, and Puddles might be good teachers, I thought, because as the children intuitively knew, hens occupy a distinct space between pets and wildlife. We love pets like family members. We admire wildlife for its beautiful otherness. But chickens? They do not fit into either of the animal categories to which we are most accustomed, and so they force us out of our comfortable, binary ways of thinking. They are neither completely wild nor fully tame. Rather they are the domesticated descendants of wild jungle fowl, prized by many cultures for their powers of divination. Because they represent the liminal, they might be a means by which we can better understand the contradictions and complexities of the relationships between us and our fellow humans, our fellow creatures, and our common world.
And so I found myself sitting in a pint-sized chair in a colorful classroom, curious to see how city kids keeping a few chickens might illuminate the question of our mandate “to keep” the creation. The teacher calmed the kids down and then started a PowerPoint presentation to review the parts of a chicken, eliciting exclamations of “Wing!” “Beak!” “Comb!” and “Feathers!”
Then the teacher asked, “What are the five things the animals who live with us need?” Hands shot up around the room. “Food!” was the first answer, followed quickly by “Water!” Then the teacher and students discussed shelter and how animals needed sun and air to be healthy, but also protection from the sun on hot days and from wind, rain, and snow.
I was intimately familiar with animals’ food, water, and shelter needs, since I’d grown up on a farm and had done chores every morning and evening. Even on the coldest, darkest winter mornings, I lugged two sloshing five-gallon pails of water to my cow, Frosty, and made sure she had enough hay before I ran down the lane to catch the school bus. Each of my five siblings did the same, looking after the food, water, and shelter needs of their sheep, chickens, goats, rabbits, cows, and pony.
As far as I was concerned, food, water, and shelter covered basic animal needs. But in the classroom more hands were up, waving the bodies attached to them and vying for attention. “Friends!” shouted one student. The teacher nodded as she clicked to a photo of a flock of chickens in a green pasture: “And what else?”
“Love!” shouted three or four kids in unison, putting their arms around themselves and rocking back and forth in what was apparently the school’s sign language for love.
Love was not an animal need I would have thought to articulate. But as I reflected on the summers spent on my grandparents’ farm, love was certainly present, as were “friends” in the large flock of laying hens. Sometimes a flock of young males shared the chicken yard as well—fryers that would end up one Sunday afternoon as the crispiest fried chicken on the planet, a fact that complicated but did not contradict the love that was showered upon all the chickens and other animals that my grandparents kept.
On that central Illinois farm where my father and grandfather were born, taking care of the hens and gathering their eggs each day was not so much a chore as a mission. Each day eggs appeared in the straw-filled nesting boxes, their size and shape perfect for a child’s hand to cradle. I’d return to the house and show the basket to Grandma. She would oohh and aahh over it, then ask, “Did you thank the hens?” If I forgot, she had me go back out and do it.
A habit of gratitude becomes second nature when you grow up with a grandmother who insists that you thank the hens every time you gather their eggs. Even now, 50 years later, this question echoes in my mind every time I eat an egg. And whether I do it out loud or internally, I always thank the hens.
The hens on that farm had all five of the things the children identified: food, water, shelter, friends, and love. Yet none had names like Daisy, Buttercup, or Puddles; in fact, none of them had names. Perhaps it was because when their egg-laying days were over, all their days were over. I’m not sure what end-of-life issues the hens and children at the Academy for Global Citizenship will face, but on the farm the end came swiftly, and then Grandma’s hens were transformed into the most delicious and velvety chicken soup, with the rich, golden flavors that come only with a long and happy life.
That is certainly an odd notion—to love a creature and then to eat it. But the oddness, or outright discomfort, is a surface dissonance—one that can disguise the deep harmonies beneath. That dissonance may arise from simple, binary thinking (pets vs. wildlife; life vs. death) and from a reluctance to embrace complexity and ambiguity. But beyond the dissonance is the deep harmony of how things work in this world, with plants dying to feed animals and animals dying to feed plants.
Native Americans understood these necessary interdependencies and felt their weight. They apologized when taking any living thing for food, whether it was a berry, fruit, root, green, or animal. They did not make a distinction between plant harvesting and animal harvesting. In either case they recognized that they were taking life to sustain life. At the same time, they acknowledged that one day it would be their turn to return to the earth to feed plants and animals, including other humans.
It has taken scientists quite a while, but some have come to a point of view similar to that of the Native Americans (see Michael Pollan’s “The Intelligent Plant,” New Yorker, December 23, 2013). It turns out that plants interact with and react to their environment and can be shown to have a desire for life similar to an animal’s. Pulling up a beet or carrot brings death as certainly as bringing down the hatchet on the neck of an old hen. And from chemical signals that plants emit, we can conclude that they do not want to be sliced, diced, sautéed, and eaten any more than a chicken does.
But this is not a reason to despair or to stop eating. Rather, it’s a reason to fully embrace the cycles of life, from living soil to living soil, in the humble awareness that our lives are dependent upon the deaths of plants and of animals and that our own death will contribute to greater plant and animal life (if allowed to return to earth without the poisons of embalming). We are part of a world where everything eats everything, and we need to recognize that this is, as the Creator proclaimed, “good.” It is also good to acknowledge and accept that we humans are temporary manifestations, way stations between soil and soil.
Along the way, we have those clearly articulated responsibilities of abad and shamar, to work and serve and preserve and protect the creation. On the one hand, this is simple (food, water, shelter, friends, love), and on the other hand, it is not. Anyone who keeps chickens enters a world of complex interconnections and messy contradictions, facing the problems of chicken sex, of poop on eggs, of predators—sometimes including your own lovable yet murderous pooch—and difficult end-of-productive-life issues. Dealing with these matters is not easy, but when we do, we are more intimately connected to our food, to each other, and to the world we all share.
Yet many of us, while hyperconnected to our digital devices, are completely disconnected from the natural world and from the sources of our sustenance. This has led to a sort of collective eating disorder, which has in turn led to a disordered relationship with our responsibilities regarding the creation.
The vast majority of eggs, for example, come from chickens given food, water, and shelter but no respect, gratitude, or love. Certainly no one thanks the modern battery hens, whose eggs roll off onto a conveyor belt as soon as they are laid. During my confirmation in the Lutheran church, I was told not just that there is sin, but that there are two kinds—sins of omission and sins of commission. With an inward groan I realized that in most situations in life I was pretty much damned if I did and damned if I didn’t. It’s true that we who eat eggs from industrial sources are guilty of both. We are party to the sins of commission: the debeaking of the baby chicks immediately after hatching, their close confinement with thousands of other hens without room to stretch their legs or flap their wings, the whole life of the bird lived without sunlight, green grass, or fresh air, without the ability to chase a cricket. But on top of all that is the sin of omission: no one ever thanks these long-suffering hens for their eggs.
The notion that keeping chickens might help recenter and reorder our lives and relationships led me not only to the kids at the Academy for Global Citizenship, but to Mike, who keeps Henrietta Thoreau and three of her friends in his backyard in a central Illinois city (nameless because the town ordinance prohibits chickens). “I’m curious,” I said to Mike, “How do you relate to your hens?”
“Well, when I come home, I get a glass of wine and go into the yard to watch my chickens. They’re entertaining, and they chill me out,” says Mike. “But they’re not too bright. They’re interested in you because you are where their food comes from. They don’t realize that the situation is reciprocated: they are where our food comes from,” he chuckled, collecting three warm brown eggs.
Eating one of those eggs, or any egg, in gratitude and in full awareness that it is a chicken embryo, is a kind of sacrament, a humble thanksgiving. With every bite we can recognize the reciprocity, the inherent interconnectivity and interdependence that sustains us all. And we can begin to live in the mystery of a world in which life begets life, acknowledging that death is always part of the circle of life. It’s breakfast, and it’s also an unborn chicken, and that’s not only OK but good, because it’s how the world works.
By keeping chickens or tending a fruit tree, a raspberry bush, or a garden, we are obeying the command to keep the earth. We can also practice shamar by supporting farmers who tend their plants and animals in a way that respects, preserves, and protects a piece of the creation—an idea that had not occurred to me before I met Buttercup, Daisy, and Puddles. And so I thanked the hens once again.
A version of this essay will be included in Terra Brockman's forthcoming book, City Creatures: Animal Encounters in the Chicago Wilderness (University of Chicago Press).
Loving and eating animals
May
19, 2014 by Terra
Brockman
On a sunny winter day I visited
the Academy for Global
Citizenship, a public charter
school on the southwest side of
Chicago. The school emphasizes
sustainability and experiential
education, which includes having
the students feed and water the
school yard chickens, clean
their coop, and collect their
eggs. As I approached the coop,
a half dozen kindergartners
crowded around to introduce me
to Buttercup, Daisy, and
Puddles. Like the students, the
school’s resident hens were a
diverse trio, one gold-speckled
brown, one glistening iridescent
black, and one fluffy white. But
all had the glittering eyes and
brilliant red combs of healthy
hens, and they clucked
conversationally with each
other, as contented hens do.The children chattered away alongside the hens, comfortable with them yet respectful of their space—neither cuddling them as if they were pets nor keeping a wary distance as they would with wild animals. When recess was over I followed the children as they scampered to line up at the school door. I had come to join them for their afternoon class, a review of everything they had learned in their unit on chickens.
Having grown up in the fourth of five generations of a central Illinois farm family, I have a more than passing familiarity with chickens. Some of my earliest memories are of gathering still-warm eggs from the nesting boxes in my grandparents’ chicken coop. But these days I’ve become interested in urban chicken keeping—and in the notion of “keepers” in general.
Keep has echoed in my mind ever since I heard Wendell Berry say that there’s really only one commandment concerning the creation: keep it. The phrase appears early in Genesis, when God put man “in the garden of Eden to till it and keep it.” Investigating further, I found that the English verbs till and keep come from the Hebrew words abad and shamar. These are not arcane or abstruse terms but wonderfully straightforward words describing everyday activities. Abad is the root of words related to work, service, or serving. Shamar means to preserve and protect—to keep.
Suddenly I understood why a soccer goalie is also a keeper, and why the inner region of a castle, the most secure area, is a keep. Echoes of the gentle benediction that ends the church service, “The Lord bless you and keep you,” sent me to my computer, where I again found the word shamar and learned that the benediction comes from the priestly blessing that the descendants of Aaron were to pronounce over the people of Israel. I heard shamar reverberating back thousands of years, back before Christianity, even before Aaron. And I heard it ricocheting right up to the present day, bouncing around the playground at the Academy for Global Citizenship. As I began to fully appreciate the resonance of “to keep,” even the mundane word and work of housekeeping began to take on a reverent glow.
But what about our collective home, our blue marble spinning in space? How do we keep it, preserve and protect it? It seemed that by investigating how urban chicken keepers relate to their chickens, and how keeping chickens situates humans in the larger ecosystem, I might be able to explore that question.
Buttercup, Daisy, and Puddles might be good teachers, I thought, because as the children intuitively knew, hens occupy a distinct space between pets and wildlife. We love pets like family members. We admire wildlife for its beautiful otherness. But chickens? They do not fit into either of the animal categories to which we are most accustomed, and so they force us out of our comfortable, binary ways of thinking. They are neither completely wild nor fully tame. Rather they are the domesticated descendants of wild jungle fowl, prized by many cultures for their powers of divination. Because they represent the liminal, they might be a means by which we can better understand the contradictions and complexities of the relationships between us and our fellow humans, our fellow creatures, and our common world.
And so I found myself sitting in a pint-sized chair in a colorful classroom, curious to see how city kids keeping a few chickens might illuminate the question of our mandate “to keep” the creation. The teacher calmed the kids down and then started a PowerPoint presentation to review the parts of a chicken, eliciting exclamations of “Wing!” “Beak!” “Comb!” and “Feathers!”
Then the teacher asked, “What are the five things the animals who live with us need?” Hands shot up around the room. “Food!” was the first answer, followed quickly by “Water!” Then the teacher and students discussed shelter and how animals needed sun and air to be healthy, but also protection from the sun on hot days and from wind, rain, and snow.
I was intimately familiar with animals’ food, water, and shelter needs, since I’d grown up on a farm and had done chores every morning and evening. Even on the coldest, darkest winter mornings, I lugged two sloshing five-gallon pails of water to my cow, Frosty, and made sure she had enough hay before I ran down the lane to catch the school bus. Each of my five siblings did the same, looking after the food, water, and shelter needs of their sheep, chickens, goats, rabbits, cows, and pony.
As far as I was concerned, food, water, and shelter covered basic animal needs. But in the classroom more hands were up, waving the bodies attached to them and vying for attention. “Friends!” shouted one student. The teacher nodded as she clicked to a photo of a flock of chickens in a green pasture: “And what else?”
“Love!” shouted three or four kids in unison, putting their arms around themselves and rocking back and forth in what was apparently the school’s sign language for love.
Love was not an animal need I would have thought to articulate. But as I reflected on the summers spent on my grandparents’ farm, love was certainly present, as were “friends” in the large flock of laying hens. Sometimes a flock of young males shared the chicken yard as well—fryers that would end up one Sunday afternoon as the crispiest fried chicken on the planet, a fact that complicated but did not contradict the love that was showered upon all the chickens and other animals that my grandparents kept.
On that central Illinois farm where my father and grandfather were born, taking care of the hens and gathering their eggs each day was not so much a chore as a mission. Each day eggs appeared in the straw-filled nesting boxes, their size and shape perfect for a child’s hand to cradle. I’d return to the house and show the basket to Grandma. She would oohh and aahh over it, then ask, “Did you thank the hens?” If I forgot, she had me go back out and do it.
A habit of gratitude becomes second nature when you grow up with a grandmother who insists that you thank the hens every time you gather their eggs. Even now, 50 years later, this question echoes in my mind every time I eat an egg. And whether I do it out loud or internally, I always thank the hens.
The hens on that farm had all five of the things the children identified: food, water, shelter, friends, and love. Yet none had names like Daisy, Buttercup, or Puddles; in fact, none of them had names. Perhaps it was because when their egg-laying days were over, all their days were over. I’m not sure what end-of-life issues the hens and children at the Academy for Global Citizenship will face, but on the farm the end came swiftly, and then Grandma’s hens were transformed into the most delicious and velvety chicken soup, with the rich, golden flavors that come only with a long and happy life.
That is certainly an odd notion—to love a creature and then to eat it. But the oddness, or outright discomfort, is a surface dissonance—one that can disguise the deep harmonies beneath. That dissonance may arise from simple, binary thinking (pets vs. wildlife; life vs. death) and from a reluctance to embrace complexity and ambiguity. But beyond the dissonance is the deep harmony of how things work in this world, with plants dying to feed animals and animals dying to feed plants.
Native Americans understood these necessary interdependencies and felt their weight. They apologized when taking any living thing for food, whether it was a berry, fruit, root, green, or animal. They did not make a distinction between plant harvesting and animal harvesting. In either case they recognized that they were taking life to sustain life. At the same time, they acknowledged that one day it would be their turn to return to the earth to feed plants and animals, including other humans.
It has taken scientists quite a while, but some have come to a point of view similar to that of the Native Americans (see Michael Pollan’s “The Intelligent Plant,” New Yorker, December 23, 2013). It turns out that plants interact with and react to their environment and can be shown to have a desire for life similar to an animal’s. Pulling up a beet or carrot brings death as certainly as bringing down the hatchet on the neck of an old hen. And from chemical signals that plants emit, we can conclude that they do not want to be sliced, diced, sautéed, and eaten any more than a chicken does.
But this is not a reason to despair or to stop eating. Rather, it’s a reason to fully embrace the cycles of life, from living soil to living soil, in the humble awareness that our lives are dependent upon the deaths of plants and of animals and that our own death will contribute to greater plant and animal life (if allowed to return to earth without the poisons of embalming). We are part of a world where everything eats everything, and we need to recognize that this is, as the Creator proclaimed, “good.” It is also good to acknowledge and accept that we humans are temporary manifestations, way stations between soil and soil.
Along the way, we have those clearly articulated responsibilities of abad and shamar, to work and serve and preserve and protect the creation. On the one hand, this is simple (food, water, shelter, friends, love), and on the other hand, it is not. Anyone who keeps chickens enters a world of complex interconnections and messy contradictions, facing the problems of chicken sex, of poop on eggs, of predators—sometimes including your own lovable yet murderous pooch—and difficult end-of-productive-life issues. Dealing with these matters is not easy, but when we do, we are more intimately connected to our food, to each other, and to the world we all share.
Yet many of us, while hyperconnected to our digital devices, are completely disconnected from the natural world and from the sources of our sustenance. This has led to a sort of collective eating disorder, which has in turn led to a disordered relationship with our responsibilities regarding the creation.
The vast majority of eggs, for example, come from chickens given food, water, and shelter but no respect, gratitude, or love. Certainly no one thanks the modern battery hens, whose eggs roll off onto a conveyor belt as soon as they are laid. During my confirmation in the Lutheran church, I was told not just that there is sin, but that there are two kinds—sins of omission and sins of commission. With an inward groan I realized that in most situations in life I was pretty much damned if I did and damned if I didn’t. It’s true that we who eat eggs from industrial sources are guilty of both. We are party to the sins of commission: the debeaking of the baby chicks immediately after hatching, their close confinement with thousands of other hens without room to stretch their legs or flap their wings, the whole life of the bird lived without sunlight, green grass, or fresh air, without the ability to chase a cricket. But on top of all that is the sin of omission: no one ever thanks these long-suffering hens for their eggs.
The notion that keeping chickens might help recenter and reorder our lives and relationships led me not only to the kids at the Academy for Global Citizenship, but to Mike, who keeps Henrietta Thoreau and three of her friends in his backyard in a central Illinois city (nameless because the town ordinance prohibits chickens). “I’m curious,” I said to Mike, “How do you relate to your hens?”
“Well, when I come home, I get a glass of wine and go into the yard to watch my chickens. They’re entertaining, and they chill me out,” says Mike. “But they’re not too bright. They’re interested in you because you are where their food comes from. They don’t realize that the situation is reciprocated: they are where our food comes from,” he chuckled, collecting three warm brown eggs.
Eating one of those eggs, or any egg, in gratitude and in full awareness that it is a chicken embryo, is a kind of sacrament, a humble thanksgiving. With every bite we can recognize the reciprocity, the inherent interconnectivity and interdependence that sustains us all. And we can begin to live in the mystery of a world in which life begets life, acknowledging that death is always part of the circle of life. It’s breakfast, and it’s also an unborn chicken, and that’s not only OK but good, because it’s how the world works.
By keeping chickens or tending a fruit tree, a raspberry bush, or a garden, we are obeying the command to keep the earth. We can also practice shamar by supporting farmers who tend their plants and animals in a way that respects, preserves, and protects a piece of the creation—an idea that had not occurred to me before I met Buttercup, Daisy, and Puddles. And so I thanked the hens once again.
A version of this essay will be included in Terra Brockman's forthcoming book, City Creatures: Animal Encounters in the Chicago Wilderness (University of Chicago Press).
Wednesday, May 21, 2014
Raven's tail
This chick has a nice tail which she often holds at a jaunty angle.
She is now seven weeks old.
Her tail is quite elaborate. She is more assertive than her tailless sister, although those two attributes are not connected. It's just a personality difference.
Her comb is straight and well fleshed out. She has a few golden brown feathers in her breast, like her sister. She also has small muffs, feathers on the side of her face.
Her posture is rather regal. She has a feathery crest, more than her tailless sister. These four birds are all very different.
Regretfully, I found out today that Raven is a young rooster. Kermit Blackwood, who sent me the eggs, is willing to take him back. He's a beautiful bird, glistening with purple, orange, blue and green highlights.
I hope he's the only male in the group.
She is now seven weeks old.
Her comb is straight and well fleshed out. She has a few golden brown feathers in her breast, like her sister. She also has small muffs, feathers on the side of her face.
Regretfully, I found out today that Raven is a young rooster. Kermit Blackwood, who sent me the eggs, is willing to take him back. He's a beautiful bird, glistening with purple, orange, blue and green highlights.
I hope he's the only male in the group.
Saturday, May 10, 2014
Colloncas
Colloncas means tailless, and two of the chicks hatched this year do not have tails. I've named them. This is Ebony.
She has an attractive z-shaped comb. I'm sure this would disqualify her for showing, if this landrace were recognized by any breed organization or had an standardization. But since it doesn't, I'm happy to think of it as distinctive.
She also has a few feathers for a crest. She's so dark, she has an almost prehistoric appearance. When she sits on my arm and squawks, I fell like I'm holding a baby dinosaur.
She has an attractive z-shaped comb. I'm sure this would disqualify her for showing, if this landrace were recognized by any breed organization or had an standardization. But since it doesn't, I'm happy to think of it as distinctive.
She also has a few feathers for a crest. She's so dark, she has an almost prehistoric appearance. When she sits on my arm and squawks, I fell like I'm holding a baby dinosaur.
Wednesday, May 7, 2014
Raising chicks
The chicks moved out into the chicken coop last week. I'm glad to have the kitchen floor cleared. My house really isn't set up for chicks.
They remain in the isolation part of the coop. They could manage inside the coop, but I don't like to barricade the big girls from coming inside. They like to have access to their favorite nest box.
The youngsters would probably be safe with the rest of the flock at this point. They all know each other by now. The issue now is that the fencing on the chicken run isn't perfectly secure. It doesn't need to be, but the babies need to be big enough that they can't escape and run loose, or into the neighbors' yard. One slipped away from me the other day and was quickly out under the gence. Another week or two of size should get them there.
For now, they are enjoying the coop. The first day, my husband attempted to turn the cage on its side, the theory being that the chicks would calmly march out into the new digs. No such luck. They were horrified and scrambled to the top of the cage.
I reached in to take them out one by one. That was okay with them, but not the part about going into the new enclosure. As I placed each one in the nice, fresh wood chips, they'd jump back on my arm. I ended up with four chicks huddling on my shoulders. Anything to avoid the horror!
They managed to get over it and settle in. They are doing fine now, sleeping on their perch at night.
They remain in the isolation part of the coop. They could manage inside the coop, but I don't like to barricade the big girls from coming inside. They like to have access to their favorite nest box.
The youngsters would probably be safe with the rest of the flock at this point. They all know each other by now. The issue now is that the fencing on the chicken run isn't perfectly secure. It doesn't need to be, but the babies need to be big enough that they can't escape and run loose, or into the neighbors' yard. One slipped away from me the other day and was quickly out under the gence. Another week or two of size should get them there.
For now, they are enjoying the coop. The first day, my husband attempted to turn the cage on its side, the theory being that the chicks would calmly march out into the new digs. No such luck. They were horrified and scrambled to the top of the cage.
I reached in to take them out one by one. That was okay with them, but not the part about going into the new enclosure. As I placed each one in the nice, fresh wood chips, they'd jump back on my arm. I ended up with four chicks huddling on my shoulders. Anything to avoid the horror!
They managed to get over it and settle in. They are doing fine now, sleeping on their perch at night.
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